How To Draw A Glowing Effect

Index

1. Intro
2. Sketch
3. Rough Color
4. Lighting Last
5. Sketching in Low-cal
6. Painting Light
7. Detailing
8. Special Effects
9. Conclusion

1. Intro

In this tutorial, I'll exist walking you through how to create a magical portrait, starting from the composition to the lighting, and so adding spellbinding effects to your portrait. The main focus volition be on tips and tricks to make your portrait fantastical and eye-catching.

For this tutorial, I'yard using Clip Studio Paint, a versatile software for analogy, comics, and animation.

ii. Sketch

To commencement, I went with a horizontal limerick, by and large because information technology'southward easier to prove for a video. Since a horizontal composition emphasizes horizontal lines, in this case, I decided to make the hair i of my main focal points and stretch it out to fill the canvass. I so settled on a symmetrical composition to give a sense of stability, peace, and repose. For many people, 2020 has been a tough year and wanted to do something uplifting. All of the curved shapes also help emphasize tranquility and harmony. The choice of flowy article of clothing and organically-shaped accessories also support this idea. Since all of these agree, it amplifies the intended event of the composition. I would not add direct lines to a painting like this unless in that location was a good reason for it.

3. Rough Colour

Sometimes I experiment with several colour schemes, only I already knew roughly what I wanted for this painting. The precious stone in the center volition exist some sort of opal or iridescent quartz, a lot of light dejection and pinks.

Since I'yard centering the character around this crystal, a nighttime dark-themed background will adjust it well. The background is a natural night colour to support the feeling of placidity. A different color could be interesting but would draw more attention to the background, which is not what I want in this case.

Because this question comes upwardly a lot, I pretty much just employ these brushes for the whole painting unless otherwise specified!

4. Lighting Last

It'south not always necessary, but if I'one thousand working on something in an organized mode with a particular idea in mind (instead of experimenting as I go), it's a pretty good idea to separate as much as possible while all the same respecting the original idea. Painting the light separately lets me focus on merely the lighting, experiment with information technology, and make mistakes in a piece where the lighting is extremely important.

Most of the details at this level are rendered out with a soft frontal low-cal. I continue all the values quite depression because the higher values are reserved for the glow. In the color bicycle, this is the lower-left expanse of the triangle.

In that location volition be another detail pass at the end. For this pass, the important thing is to have a make clean base to piece of work from.

I utilize a webcam selfie every bit a reference for the hands. I've used this method for a long, long time, and information technology has never failed me. It is very reliable and a lot less embarrassing than request a friend.

5. Sketching in Light

I roughly sketch in the desired lighting using an Add Glow layer.

You tin can experiment with which layer to utilize specifically (between add and dodge), but I idea this worked best for this piece. Here's an instance of how these can wait quite different on the hands, yet still all take the upshot of making something look similar it is glowing.

This step is completed on split up layers and very chop-chop, and one time it's done, the piece starts to come together. If I zoom out and squint, the image is actually eye-communicable. For a magical portrait, it's essential to have things glow for absolutely no reason at all. In this slice, I'grand defining the glow as the gem and the under part of the hair. This has the benefit of highlighting the magical floating hair, the similarly floating gem, the confront, and the hands. I employ the lighting to emphasize parts of the image that I would virtually similar the viewer to capeesh.

6. Painting Low-cal

After sketching in calorie-free, the next pace is to clean it up and make it fit the existing epitome. Sadly, this takes way longer than simply sketching in the light, but for a painting to look polished, it's an important step. The fundamental to making something glow is a mixture of hard and soft light. The actual role that glows needs to be very, very bright.

The flat-lighting image from the previous stride has less contrast, and all the color values are in the lower half – in other words, they are closer to blackness than they are to white. I reserve the college range for the glowing elements. This makes up the hard part of the glow. The soft role is but taking these glowing light sources and diffusing them into the environs. The simplest way is to airbrush everything, but the role that will take the image to the next level is when we pay attention to materials where light is partially blocked, similar clothing, pilus, and skin.

The color I use to paint in the Add (or Dodge) layer is in the lower half of the color wheel value. Why? Well, the Add layer way adds the value of that layer to all the layers underneath. My layers underneath take values up to 0.v, and if my Add layer is 0.5, and then I end upwards with values upward to one. 1 is the brightest you lot tin go in an prototype – if your values exceed 1, information technology ends up being over-exposed, a very mutual mistake. Once an prototype is over-exposed, it starts to lose detail that y'all would have to paint dorsum in later, but it is like shooting fish in a barrel to adjust an nether-exposed prototype's brightness.

Hither'south an case of what it looks like if you lot paint in the Add/Dodge layer with likewise bright a color. You can see a lot of the expanse turns pure white, losing all detail that was there before.

We all know that if you hold up your hand to the sun, it looks super red. Similar phenomena happen with hair and calorie-free cloth. I won't get besides technical here, but looking at references for these phenomena and incorporating them into your painting tin take an image from good to nifty. Here I add some red subsurface handful to the manus.

The lighting needs to be clear when you lot're zoomed out at this stage, but the details will be fixed later. Information technology's important to consider how the extremely vivid low-cal affects the residual of the scene. The peel will be lit, the metal, fabric. Additionally, the light in the pilus spreads out through the rest of the hair also. Alongside light, it may exist necessary to add together some additional shadow based on these new lite sources. I apply an overlay layer to shade places where I don't call back these lights affect equally much, adding dissimilarity to the overall image.

7. Detailing

I use the Droplet airbrush to add together some stars in the background.

For the face up, I zoomed in and brushed on some sparkle with a unlike airbrush. I go on to paint on Glow Dodge or Add together (Glow) layers to add more than strong calorie-free to the face. In one case I'm satisfied, I repeat a similar process for the torso and a little on the wear.

At this point, I likewise take some time to clean up some details, such as lines and colors that aren't where they should be. There'south not much to explain hither. Information technology's mostly something that comes from experience. The details make the painting more pleasant to look at over a long period of time.

8. Special Effects

At this bespeak, the image is mostly done – nosotros just need to add the finishing touches.

I used this brush ( https://assets.clip-studio.com/en-us/particular?id=1752622 ) from Clip Studio Assets; information technology has a rainbow pattern with an iridescent look. I use the radial blur to brand the upshot look similar it's coming more from the centre of the image and fix the layer blending way to Color Dodge to make it wait similar it's glowing.

9. Conclusion

Thank yous for reading! I promise this tutorial gave you some ideas on how to make your next painting extra magical.

Grace Zhu

https://gracezhuart.com

https://twitter.com/gracezhuart

https://www.artstation.com/gracezhu

Source: https://www.clipstudio.net/how-to-draw/archives/162569

Posted by: puafrod1948.blogspot.com

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